By Dream Theater
Particular transcriptions for the entire keyboard components to fifteen Dream Theater songs. Titles are: studying to stay * city Pt. 1 * look ahead to Sleep * 6:00 * Scarred * Scene : I. Overture 1928 * Scene 3: I. via My phrases * Scene 3: II. deadly Tragedy * Scene 4: past This lifestyles * Scene 9: eventually unfastened * the good Debate * decisions from Six levels of internal Turbulence: approximately to Crash, struggle inside of My Head, The attempt That Stumped all of them, Goodnight Kiss, Solitary Shell * never-ending Sacrifice * flow of cognizance * Vacant.
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Then in an extremely droll manner he imitated Moscheles playing one of his etudes. . Then he said, “Yes, in Leipzig, or Frankfurt, or Cologne or Berlin at the ‘great conservatories,’ there you will make a success with that. ”9 A picture of Mendelssohn as a favorite of Victoria and Albert (which indeed he was), as a conservative conservatory director, as a prim composer of music suitable only for the dusty syllabuses of these same ossiﬁed conservatories, and even as a man whose music and morals were hygienic enough for governesses in high-collared Victorian dresses, took a long time to die, if it ever quite has.
1 Book VI, and No. 6 Book V—both evidently chosen on the spur of the moment, and rendered intensely interesting by a prelude and interlude such as he alone could have improvised. As the modulation proceeded, the B ﬂat gave place to other notes, treated in like manner; and presently these were relieved by a new ﬁgure, which rapidly developed into the well-known feathery arpeggio of the famous Frühlingslied. 47 Although highly, perhaps sadly, unusual nowadays outside cocktail bars and jazz clubs, the practice of improvising a prelude to a piece, or a modulating transition between pieces, remained common up until around the Second World War.
43. Todd, 281; Henry F. Chorley, Modern German Music (London: Smith, Elder, 1854), 2:33. For comparison, advertisements in the Neue Zeitschrift für Musik in 1839 show that for 10 groschen one could purchase Sterndale Bennett’s Allegro grazioso for Piano, op. 18; or Heinrich Panof ka’s Ballade for Violin and Piano, op. 20; or 3 songs for voice and piano by A. von Villers. For 16 groschen one could buy Sigismond Thalberg’s Andante in D-ﬂat, op. 32; or Six Etudes for Violin, op. 2, by the young violin virtuoso Charles Dancla; or A.