Hearing, purchasing and sharing track is an immensely very important a part of way of life. but fresh technological advancements are more and more altering how we use and eat song. This ebook collects jointly the newest experiences of song intake, and new advancements in track know-how. It combines the views of either social scientists and expertise designers, uncovering how new song applied sciences are literally getting used, besides discussions of latest song applied sciences nonetheless in improvement. With a particular specialize in the social nature of song, the publication breaks new floor in bringing jointly discussions of either the social and technological points of tune use. Chapters disguise issues corresponding to using the iPod, track applied sciences which inspire social interplay in public locations, and song sharing at the internet.
A precious assortment for somebody occupied with the way forward for track know-how, this publication could be of specific curiosity to these designing new track applied sciences, these operating within the tune undefined, in addition to scholars of track and new expertise.
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Extra info for Consuming Music Together: Social and Collaborative Aspects of Music Consumption Technologies (Computer Supported Cooperative Work, Volume 35)
The diversity of technology across places presented a number of obstacles to unfettered use and choice of music. This included the need to carry around and organise a physically distributed collection, the need to copy across formats, problems in managing and searching large collections, and limited access to music in different locations. As Bull’s chapter in this volume reports the ability to carry your whole music Consuming Music Together 43 collection with you is a big motivator for the popularity of the iPod.
Music is a material through which the relational figures of ‘fitness’ and ‘disability’, ‘competence’ and ‘incompetence’, ‘taste’ and ‘vulgarity’ are constituted. 3 Variation Two: Remembering is often key to the process of musical occasioning For example, actors may ‘fall into’ a mode of feeling-being that they recognise as having ‘done before’, either by themselves or as seen done by others (including 26 2. Music and Emotion in Real Time media examples), as when we are aware of the generic signals that, say, smoochy music gives off and the types of conduct it ‘reminds’ us of and thus may afford, or as, in Lucy’s case, the Brahms triggered a rich seam of highly personal memory, bringing to mind very many things about her very dear father and their shared listening experience, after dinner, sitting by the hearth.
Example Three: As part of the research on music’s ambient role in public spaces, we conducted in-store ‘shadowing’ experiments. These involved a volunteer shopper and a researcher, both equipped with tape recorders and microphones. The volunteer was told simply to engage in High Street browsing activity, to enter/exit shops as she liked and to ‘think out loud’ into the lapel microphone as she moved through each space, commenting on anything that came to mind – store ambience, music, goods, etc.