By Tom Michael
"World information and occasions of the final 25 years are assisting create a favored new industry in accumulating. This one of a kind advisor offers worthy solutions to questions about foreign money from the center effortless in an easy-to-follow structure. cash Paper cash of the center East comprises short histories of varied army operations, history in regards to the 20+ affected international locations and other people, and greater than three hundred colour illustrations of cash and paper funds. Listings contain modern and collectible cash, paper cash, secure cross certificates, propaganda items and POGS. every one access is prepared via state, entire with images and caption and price, for simple and exact id. even if soldier, collector, broker, historian or a loved one trying to find information about new heirlooms, this can be absolutely the authority on heart japanese currently."--
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Extra resources for Coins & Currency of the Middle East
10–12. marie menken and the somatic camera 25 There are several reasons for the difﬁculty of ascertaining accurately the dates of Menken’s ﬁlms: In the ﬁrst place, there is no archive of her papers. Shortly before she died late in 1970 a ﬂood destroyed her studio; then vandals looted it. Maas died a few days after her, so that all of her property passed to Maas and then to his son by his ﬁrst marriage before provisions could be made for her effects. Menken’s sister, Adele, salvaged a small fraction of her papers that Anthology Film Archives obtained in 2005, but they had not been cataloged when this book went to press.
Thus the published ﬁlmographies that show a gap of twelve years between her ﬁrst ﬁlm and her second, Hurry! Hurry! (1957) may be very misleading. The most useful and insightful writing on Menken’s cinema is the chapter devoted to her work in Stan Brakhage’s Film at Wit’s End. Even though Brakhage reproduces for the most part the ﬁlmography Menken herself supplied for the special issue of Filmwise devoted to herself and Maas, he implies that Hurry! Hurry! ”6 Brakhage recounted how she asked him for the stock footage of spermatozoa she would use in Hurry!
41. Charles Olson, The Special View of History, p. 49. 20 eyes upside down cosmological justiﬁcation for Olson’s “concretism,” his insistence that words be treated as solid objects, and poems be treated as force ﬁelds. As events in the new cosmology are neither determined purposively nor given form by powers outside of process, so words must not be treated as if their functions could be limited by either abstract deﬁnitions or canons of usage. e. ”43 Olson’s project suggests a possible convergence of Gertrude Stein and John Cage’s positions (although that was never his intention).