By Louisa May Alcott
Louisa may possibly Alcott’s little-known novella is an creative research of deception, betrayal, and the ruthless energy of a girl scorned.
When demure Scottish governess Jean Muir arrives at a filthy rich loved ones, the relations couldn’t be extra overjoyed with their younger new resident and locate themselves beguiled by means of her grace and sweetness. yet this quit to her innocent’ charms quickly units the boys quarreling for her consciousness, with the ladies beside themselves with jealousy. overjoyed along with her luck, omit Muir units her points of interest at the optimum prizebut she has simply 3 days to say victory ahead of the reality, in the back of her masks, might be exposed.
American novelist Louisa may perhaps Alcott is healthier remembered for the perennially well known Little Women.
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Extra resources for Behind a Mask: Or, a Woman's Power (The Floating Press)
She first articulated her annoyance at female nicety to the Barkers in 1955, in response to a review she was reading about Elizabeth Bowen's A World ofLove. Her annoyance extends to Virginia Woolf, Rebecca West, and Rosamund Lehman as well: It's a fault one almost never finds in men's writing, or if one does in a different form. It is that they are really boasting all the time. There's a sort of intonation of the "She-has-such-a-lovely-home. . " sort about it. They are secretly pointing out, for you to admire, their beautifullypolished old silver [in the margin she writes, "Well - may Waugh shares it with the ladies - " ] , their taste in clothes, their intellectual and, frequently, social standing, their husbands, etc.
A. School of Writing, about which she wrote her humorous story by that title,8 and five days (until her eczema returned) in 1943 cleaning and adjusting binoculars at a navy optical shop in Key West, a job that Marianne Moore encouraged her to take, so "that you can then have a refuge - profitable or not, for the blanker and more inside side of the umbrella" (letter to Bishop, 8 Oct. 1943, VC). When Bishop and Moore met in the spring of 1934, within months of both Bishop's college graduation and the death of her mother, a living absence to her since she was five, Moore readily took on the role of mother/mentor.
Specifically recommending Jewett's lyrical Maine novel, The Country of the Pointed Firs, to the Barkers, she writes that the stories that make it up are dated now, but still sometimes marvellous stuff and worth reading. I had only read one and I was appalled when I recently read a whole book — I'm sure anyone who read my story ["In the Village"] would think I was imitating her shamelessly - whole phrases, even - it is very strange; I had really never laid eyes on the ones that are like mine. (21 July 1954, PU) 34 ELIZABETH BISHOP S POETICS OF INTIMACY — and it's all so completely true, you know - I wish I could read her without weeping.