Download Beethoven and the Construction of Genius: Musical Politics by Tia DeNora PDF

By Tia DeNora

During this provocative account Tia DeNora reconceptualizes the concept of genius via putting the lifestyles and profession of Ludwig van Beethoven in its social context. She explores the altering musical global of past due eighteenth-century Vienna and follows the actions of the small circle of aristocratic consumers who lead the way for the composer's success.DeNora reconstructs the advance of Beethoven's acceptance as she recreates Vienna's strong musical scene via modern bills, letters, magazines, and myths--a colourful photo of fixing instances. She explores the methods Beethoven was once obvious through his contemporaries and the picture crafted by means of his supporters. evaluating Beethoven to modern competitors now mostly forgotten, DeNora finds a determine musically leading edge and complicated, in addition to a willing self-promoter who adroitly controlled his personal celebrity.DeNora contends that the popularity Beethoven acquired used to be as a lot a social fulfillment because it used to be the results of his own presents. In considering the political and social implications of tradition, DeNora casts many points of Beethoven's biography in a brand new and assorted gentle, enriching our knowing of his luck as a performer and composer.

Show description

Read Online or Download Beethoven and the Construction of Genius: Musical Politics in Vienna, 1792-1803 PDF

Best sheet music & scores books

Mystical Love in the German Baroque: Theology, Poetry, Music (Contextual Bach Studies)

This publication identifies the cultural and devotional conventions underlying expressions of mystical love in poetry and song of the German baroque. It sheds new gentle at the possible erotic overtones in settings of the tune of Songs and dialogues among Christ and the devoted soul in past due seventeenth- and early 18th-century cantatas through SchYtz, Buxtehude, and J.

The Birth of the Orchestra: History of an Institution, 1650-1815

This e-book lines the emergence of the orchestra from 16th-century string bands to the "classical" orchestra of Haydn, Mozart, Beethoven, and their contemporaries. Ensembles of bowed stringed tools, numerous gamers consistent with half plus continuo and wind tools, have been prepared in France within the mid-17th century after which in Rome on the finish of the century.

Redefining Hungarian Music from Liszt to Bartók

The most renowned works of nineteenth-century track have been classified both "Hungarian" or "Gypsy" popular, together with a number of the best-known and least-respected of Liszt's compositions. within the early 20th century, Béla Bartók and his colleagues puzzled not just the Hungarianness but additionally the nice style of that type.

Rounding Wagner's Mountain: Richard Strauss and Modern German Opera

Richard Strauss' fifteen operas, which span the years 1893 to 1941, make up the biggest German operatic legacy considering Wagner's operas of the 19th century. a lot of Strauss's works have been in keeping with texts by way of Europe's best writers: Oscar Wilde, Hugo von Hofmannsthal and Stefan Zweig, between others, and so they overlap the most very important and tumultuous stretches of German historical past, similar to the founding and death of a German empire, the increase and fall of the Weimar Republic, the interval of nationwide Socialism, and the post-war years, which observed a divided East and West Germany.

Extra resources for Beethoven and the Construction of Genius: Musical Politics in Vienna, 1792-1803

Example text

Correspondingly, the court's subsequent discontinuation of the hofkapelle when it was no longer more lavish than the ensembles of the highest aristocrats followed the principle that "a particular source of prestige, when adopted by a given social class quickly lost its prestige among the next higher social class" (Moore 1987, 100). The court thus became less interested in supporting its kapelle when it could no longer so dramatically outshine those of the aristocrats, and the nobility responded by losing interest in maintaining a practice with which the court was no longer engaged.

Proponents emphasized a rejection of the rules of poetry and glorified feeling as opposed to reason. In the Sturm und Drang perspective, genius became "a slogan for complete rejection of discipline and tradition and was linked with creative spontaneity" (Wellek 1955, 1:176). The modern notion of creative genius appears to have been first articulated in works of Shakespeare, which were viewed less as theatrical works than as poetry and psychological portraiture (Wellek 1955; Murray 1989). It was also in northern Germany during the eighteenth century that the organicist metaphor was initially applied to creative works.

Prince Paul Anton Esterhazy (173894): Though it is not always possible to distinguish among them, one of the several prince Esterhazys was a member of GAC. Other musically active Esterhazy princes during this period were Prince Nikolaus Joseph (171490), Haydn's patron and known as "the luxury-loving" prince, and Prince Nikolaus II (17651833), who recalled Haydn from London in 1794 and reconstituted the Esterhazy kapelle (ensemble), which Prince Paul Anton had dissolved after the death of Nikolaus I.

Download PDF sample

Rated 4.93 of 5 – based on 20 votes