By Henry David Thoreau, H. Daniel Peck
Thoreau's account of his 1839 boat journey is a finely crafted tapestry of go back and forth writing, essays, and lyrical poetry. Thoreau interweaves descriptions of normal phenomena, the agricultural panorama, and native characters with digressions on literature and philosophy, the local American and Puritian histories of recent England, the Bhagavad Gita, the imperfections of Christianity, and plenty of different subjects.
even though it stocks a few of the topics in Thoreau's vintage WALDEN, per week bargains another point of view on his analaysis of the connection among nature and tradition.
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Additional resources for A Week on the Concord and Merrimack Rivers
And with this signiﬁcation we shift from phenomenology to ethics, because for Levinas inter-subjectivity, the relation to the other person, my relation to you, is ﬁrst signiﬁcant as an ethical relation. Nothing could be farther from the ontological analysis of Heidegger which left ethics and other persons behind as merely ontic or inauthentic. 7 The doctor Thus, too, even my mortality (before we consider the other’s mortality) is not, as Heidegger thought, a matter of solitude. ” Being-with-others is not merely inauthentic.
But that is our adventure. Without this peril there is no us. If you turn it into a guarantee, you separate us (Irigaray, 1982, p. 28). Keeping these, however, ambiguous words in mind we shall approach intersubjectivity, indirectly, in ﬁrst considering the relationship between subjectivity and divinity as currently debated in the ﬁeld of feminist philosophy of religion. 5 ‘Yearning’ has been a central concept of my writings in feminist philosophy of religion, Anderson (1998, p. 22). Also see, hooks (1990).
I should qualify my reference to our yearning for recognition. 8 This cognitive passion unites subjects across gender, sexual, racial and class divides. But the yearning for recognition ensures both the realism and the risk of intersubjectivity. This risk – or peril – is captured in the following lines which Canters selects from Irigaray’s Elemental Passions: we can never be sure of bridging the gap between us. But that is our adventure. Without this peril there is no us. If you turn it into a guarantee, you separate us (Irigaray, 1982, p.