By Jack C. Ellis, Betsy A. McLane
A radical and definitive survey/history of documentary motion pictures. Concentrating commonly at the output of the USA, the united kingdom, and Canada, the authors define the origins of the shape after which convey its improvement over the subsequent numerous a long time. The ebook is totally updated in discussing motion pictures like Fahrenheit Sept. 11 and Aileen: existence and loss of life of a Serial Killer.<br/><br/>Written in an easy, chronological structure, the textual content is simple and entire of content material, info, and old point of view. every one bankruptcy concludes with an inventory of the main documentaries in that individual period of time or style, and there are priceless appendices directory the entire winners of the Academy Award for top Documentary, in addition to the winners of the Grierson Award.<br/> >
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Additional info for A New History of Documentary Film
For this his work is cherished, not only by visual anthropologists; but also by other kinds of filmmakers working today. For some detractors, Flaherty’s lack of social comment was considered his downfall, perhaps even the antithesis of what they called documentary, but The Work of Robert and Frances Flaherty 37 the films speak for themselves; the major work continues to resonate with audiences today. During the same period as Flaherty’s early work, one film by Merian C. Cooper and Ernest B. Schoedsack and their female partner, Marguerite Harrison (she secured the funding) deserves similar high praise.
A Flaherty film family usually has a strong, mature father; gentle but heroic mother devoted to him, to their children, and to the concerns of the family; and a son who is learning his way into his cultural and natural surroundings. The women in Flaherty’s films are supportive of the men in the struggle for existence, assisting them in domestic and ceremonial activities. Maggie, in Man of Aran, is the most forceful in her strength of character, independence, resourcefulness and bravery. The young boys of his films perhaps are surrogates for the young Flaherty himself.
New York: Oxford University Press, 1993. Barsam, Richard Meran, Nonfiction Film: A Critical History. Bloomington: Indiana University Press, 1992. , Quarterly Review of Film Studies, 7 (Winter 1982). Special issue on documentary. Fielding, Raymond, The American Newsreel, 1911–1967. Oklahoma: University of Oklahoma Press, 1972. , The Documentary Tradition. New York: W. W. Norton, 1979. Hertogs, Daan and Nico De Klerk, Nonfiction from the Teens. Amsterdam: Stichting Nederlands Filmmuseum, 1991. Leyda, Jay, Films Beget Films.