By Donald Francis, Sir Tovey
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Additional resources for A Companion to Beethoven's Pianoforte Sonatas: Complete Analyses
I said, "Look, Mr. " So I did. I sent home one hundred dollars each week. This tour was a prelude to a much longer tour when I was ten. Mademoiselle Rozika (nee Rheingold), a very pretty brunette in her early twenties, aspired to become a classical dancer. Completely devoted I Become a Violinist • to her art, she had a dance studio for children. She wished to tour, and hearing of my "success" with Pelz, thought it would add interest to have me play short solo pieces while she changed costumes. She persuaded my parents to let me audition with her in Seattle, where she had a personal introduction to Alexander Pantages, who directed a considerable vaudeville circuit stretching from the West Coast to Denver and Salt Lake City as well as cities on the Pacific Coast down to San Diego.
I was taking the place of older musicians as a sort of pinch-hitter for the regulars, who were vastly more skillful and experienced than I was. I took it for granted that I could fit in, not fully realizing what a wonderful experience it was to be so closely associated with artists of great stature. I greatly benefited from hearing their remarkable artistry at close range. This deep immersion into supercharged musical activity with New York's musical elite propelled me into a new world whose horizons have never ceased to expand.
We both attended Henry Krehbiel's poetic lectures on the lives and works of Mozart, Beethoven, Schubert, and others. Dick wrote entertaining music for the school's annual musicals; he displayed an extraordinary gift for using available talents and an unerring instinct for pleasing the crowd. I enjoyed his musical Say It with Jazz, a witty spoof based on RimskyKorsakov's The Golden Cockerel. For the Baton, our school newspaper, he conceived a satiric Diary of a Prodigy, which ran serially for several months.